Free Association is a platform for workshops, public programming and publishing through the expanded fields of fiction, poetry, critical theory, philosophy, art and art criticism.
Founder, Programming and Development: Anita Spooner
Designer: Alex Margetic
Web developer: Xavier Connelly
Previous Team: Chantelle Mitchell, Jordana Bragg, Josephine Mead, Angelita Biscotti – thank you!
We acknowledge the custodians of the land on which we work, the Wurundjeri people of the Kulin Nation, and pay respect to their Elders, past, present and emerging.
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Under Queer Stars introduces Angelita Biscotti’s queer anti-capitalist engagement with birth chart astrology, embracing humour and hope to consider how we might speak to ourselves about ourselves with compassion and curiosity.
This workshop will consider the counselling, research, and teaching praxis of queer BIPOC healers in the Pluto in Scorpio and Sagittarius generations, alongside theory and method inspired by Hellenistic and psychological astrology. Participants will study astrology of love, sex, and queer relating as well as astrology of family and ancestry. We will read and discuss emerging classics, such as the work of Alice Sparkly Kat,Tabitha Prado-Richardson and others, as we work through the natal promise of our birth charts.
Participants are invited to use their findings as prompts for poetry, prose or visual art in response to their charts, to be considered for publication on Free Association’s website. These creations will also be developed for Rogue Planet, a night of readings and performance under the stars, forthcoming in summer 2021.
Supported by Siteworks and Moreland City Council Making Space Program.
Working on unceded Boon Wurrung Country, Angelita Biscotti is a non-binary feminine astrologer, writer, artist and teacher of Spanish-Filipinx descent. Her client practice and astrological writing is inspired by Hellenistic, psychological, and evolutionary astrology approaches. She has been published in Overland, Cordite Poetry Review, Archer, Djed Press, Peril, ABC Life, The Lifted Brow, Critical Military Studies, and elsewhere. Her previous teaching experience includes an erotic poetry workshop at Writers Victoria in 2021 and sessional academic teaching at La Trobe University and the Ateneo de Manila University. She is the current recipient of a scholarship and mentorship with the international Association for Astrological Networking (AFAN). Her chart is dominated by the fire sign Leo, ruled by an 8th house Earth sun.
The themes of her work are unconventional intimacies, anti-racist beauty ideals, and queer hope. She is most accessible through her website and Instagram @angelita.biscotti
This series of workshops will introduce attendees to the thought of John C. Lilley, Ray Kurzweil, and other outsiders and futurists, whom we will read through the work of Jacques Lacan and Sigmund Freud. After establishing a theoretical grounding we will use state-of-the-art machine learning algorithms, and a set of especially adapted writing exercises, to learn to listen—to ourselves and to the algorithm—so that we might predict what comes next. What will it be like when the internet scrolls us? Get ready to see Siri stress the fuck out!
Writing and technology enthusiasts are encouraged to apply.
Application deadline: 12PM, Wednesday, 3 November, 2021
Supported by Darebin City Council.
Sam Lieblich is a Melbourne-based artist investigating networked and algorithmic forms. His work explores the orientation/disorientation of the subject in the other, and the manifestations of the human-algorithm hybrid into which human beings are now subsumed. These digital works combine machine learning algorithms with custom code to foreground systems design and—by finding beauty and intention in the system—try to re-situate human desire in the algorithm.
Making Mobiles is a two-hour gif-making workshop that suspends and loops digital poems. The workshop will equip participants with the skills to bridge poetry and the moving image. The first hour will consist of a presentation on digital mediums, design basics, how to make a gif, and implementing poetry into the moving image. The second hour will put the presentation into practice, asking participants to turn a pre-written poem into a looped gif.
We will present these gif poems across a digital exhibition, inviting you into a room full of mobiles.
Poets from any state or territory in Australia are encouraged to apply.
Lujayn Hourani is a digital writer, editor and arts worker based in Naarm. Their practice focuses heavily on digital literature – writing it, editing it, and talking about it. Their digital writing has appeared in Meanjin, Overland, The Lifted Brow, Voiceworks, Emerging Writers Festival and Going Down Swinging, among others. They are Online Editor at Voiceworks, work at Next Wave and were previous Online Editor at The Lifted Brow.
The sessions will focus on the how political subjectivity is shaped (by race, class, gender, sexuality, nationality, (dis)ability; by access to or distance from networks of care; vulnerability to or protection from the law) and how art is one way of studying the affects and effects associated with becoming a political subject. Close readings will be accompanied by writing exercises that explore different registers and styles and that consider how critical writing can be particularly responsive to the world moment we find ourselves in. The first session will focus on ‘reading’ as an expanded practice that informs writing; the second session will examine ‘writing’ and the process through which an argument emerges through the act of drafting; the final session will look at ‘editing’ and how to edit both one’s own and other people’s writing. Examples of readings include work by Fred Moten, Saidiya Hartman, Evelyn Araluen, Helen Hughes, Andrew Brooks, and Kay Gabriel.
Writers from any state or territory in Australia are encouraged to apply.
Application deadline: Midnight, Sunday August 2, 2020.
Supported by the City of Melbourne COVID-19 Arts Grants.
Astrid Lorange is a writer, artist, and editor who lives and works on unceded Wangal land. She lectures in contemporary theory at UNSW Art & Design. She is one-half of the critical art collective Snack Syndicate and a member of the publishing collective Rosa Press. Her research examines reading as a critical generative practice that offers transformative possibilities for (re)thinking everyday life. In her scholarly and creative work, she analyses modern and contemporary literature and art, and the relationship between cultural texts and social and political structures (gender and sexuality; settler-colonialism and the nation-state; legal and economic systems; infrastructure; labour). Recent publications include Labour and Other Poems (Cordite Books, 2020) and Homework (forthcoming from Discipline).
The dawn is at hand – Oodgeroo Noonuccal
Three writing workshops will study historical and contemporary examples of poetry of protest and activism ranging from the personal (activism on the home-front, body politics, black bodies, queer bodies and their intersections) to big picture public activism and protest. The curriculum will cover the radical writing of Oodgeroo Noonuccal, Lionel Fogarty, Romaine Moreton, Jack Davis as well as contemporary poets Ellen van Neerven, Alison Whittaker, Evelyn Araleun, Samuel Wagan Watson and more. In this violent rupture we will draw connections across space and time through a reckoning of history; and deconstruction of the colonial mythscape of peaceful settlement and the united nation through the dismantling of colonial relics and a harbouring of future refusals and resistance. From the storytellers and song-makers of ancestry to contemporary protest language, we will look at how activist poetry is deeply localised, personal and highly political, at once.
Twelve First Nations writers will be paid $300 fees to develop a piece of poetry for digital publication on BLINDSIDE and Free Association’s websites.
The program:
Three poetry workshops led by Jeanine Leane covering theory, discussion and practical workshopping
A meeting with a Wurundjeri Elder
An online residency with BLINDSIDE from 22 July – 8 August with editorial support from Jeanine Leane
An online presentation of readings and work in development
This program will take place on the land of the Wurundjeri people of the Kulin Nation. We recognise that sovereignty was never ceded – this land is stolen land. We pay respects to Wurundjeri Elders, past, present and emerging, to the Elders from other communities and to any other Aboriginal or Torres Strait Islanders who might encounter or participate in the program.
First Nations writers and artists from any state or territory are encouraged to apply.
Co-presented by Free Association and BLINDSIDE
The annual BLINDSIDE First Nations Project is supported by the Victorian Government through the City of Melbourne through their Triennial Grants Program. This project is proudly supported by Creative Victoria, the City of Melbourne COVID-19 Arts Grants and Darebin City Council.
Jeanine Leane is a Wiradjuri writer, poet, essayist and academic from southwest New South Wales. Her poetry, short stories and essays have been published in Hecate: An Interdisciplinary Journal of Women’s Liberation, The Journal for the Association European Studies of Australia, Australian Poetry Journal, Antipodes, Sydney Review of Books, Best Australian Poems, Overland and the Australian Book Review. Jeanine has published widely in the area of Aboriginal literature, poetry, writing otherness and creative non-fiction. Her research interests concern the political nature of literary representation, cultural appropriation of minority voices and stories and writing identity and difference.
Exploring the techniques and ethics of moving from the archival to the contemporary, the course will examine the theoretical landscape of historical reperformance, discuss works by video and installation artists such as Renata Poljak, Silvia Kolbowski, Yoshua Okón, and Petrit Halilaj, and develop new reperformance works for public presentation.
Camila Galaz is a visual artist whose practice uses video, drawing, and installation to explore intimate connections to history and resistance. Recent exhibitions include you are the magnet and I am the metal (slowly magnitizdat’, C3 Art Space (2018), Reparar Means to Repair, Blindside (2018); and You Transform Everything into a Boat, Kings Artist Run (2017). In 2018 she presented online projects with Sister Gallery and The Digital Writers’ Festival. She is the recipient of the 2018 MECCA M-Power Scholarship from the National Gallery of Victoria and the 2019-2020 Australia Council EMPAC New York Residency. In 2019 she presented a Writing & Concepts lecture at the NGV entitled Questioning Existence with the Subjunctive (Spanish Demystified). She is also a founding member of the performance art collective The Band Presents (TBP), and co-ran the TBPHQ Art Space in Docklands, Melbourne from 2017-19.
Dream control, psychic automatism and cut-up are tools of illumination. By extracting narratives from the unconscious mind, students will not only be able to maintain a continuous state of inspiration but also evade psychological traps that inhibit creativity like writer’s block, self-criticism and creative boundaries established by traditional forms of composition and editing.
Manisha Anjali is a writer and artist. Her practice is rooted in the language of dreams and exile. Manisha is the author of Electric Lotus (Incendium Radical Library Press, 2019). She has been a recipient of BLINDSIDE’s Regional Arts & Research Residency, a Writer-in-Residence at Incendium Radical Library and a Hot Desk Fellow at The Wheeler Centre. Manisha is the producer of Neptune, an archive of dreams, hallucinations and visions.
We psychoanalysed the algorithm, we found ourselves inside of it, extracted our own essence like the internet's wisdom tooth, and made PHRASER, an algorithm birthed of its own reflection, which is ours, a mise en abyme of human and algorithm, trained to speak and see what all of us see, all of the time, all at once. PHRASER is a neurotic artificial intelligence that reclaims race, gender, and the human mind from the servers of technocapital. PHRASER TEST DREAM is the first stage of PHRASER’s evolution. PHRASER’s first generation of NFTs will be available for purchase, scored by a collective of musicians. Visitors and buyers will be directed to calculate and offset their carbon footprint by gathering and planting seeds that will be available at the gallery.
Breath Poetics introduces projectvisim as a poetics of embodiment - as a tool for writing the body through the materiality of text. Projective poetry traditions emerged from the Black Mountain School, and were inscribed by Charles Olson in his pamphlet ‘Projective Verse’ from 1951. This public program introduces Projective Verse traditions and practices, and explores the significance of text and language as a poetics of breath, as ‘a high-energy construct and an energy discharge’ and in presenting methodologies to consider and untangle the relation of body to language, and the relation of language to the page.
Jazz Money is a poet and filmmaker of Wiradjuri heritage, currently based on the beautiful sovereign lands of the Darug and Gundungurra nations. Her poetry has been published and spoken widely across so-called ‘Australia,’ and reimagined as murals, installation and video art. Jazz is the 2020 winner of the David Unaipon Award, with her first collection forthcoming from University of Queensland Press.